Signaling Crisis

In the DHSI Physical Computing class, Anne Cong-Huyen (Whittier College), Devin Becker (University of Idaho), and I created a project we titled “Signaling Crisis” for our end of week prototype. This project was a true collaboration; everyone contributed to the ideas, code, and design. It’s also art.  Political art.  I’m usually an analysis person (not a […]

Experimentation in Physical Computing and Fabrication

I’ve been blogging this week about my participation in a physical computing and fabrication course at the Digital Humanities Summer Institute.  Our instructors have been the team of the University of Victoria Maker Lab, directed by Jentery Sayers.  Jentery’s work in critical making and especially historical prototyping has fascinated me for years.  My previous posts […]

Whose heritage are we remixing?

This past spring, I purchased a small 3d printer with the goal of experimenting with it to understand 3d fabrication a bit better before taking the Physical Computing and Desktop Fabrication class at DHSI.  I also am really interested in the release of 3d models of museum objects, both before and in the aftermath of […]

On Palmyra and 3D Modeling Cultural Heritage in the Middle East

Over the past few months, I’ve spent a lot of time thinking about the relationship between academic scholarship and the atrocities of war. In particular the role of digital scholarship: its potential for protesting these atrocities, its potential to ameliorate some of their effects, and its complicity in those atrocities. Global events of this winter and […]